New Publishing Alliance
Editrice Darte and SpeedHolics together to celebrate the world of Classic Cars In the world of specialized publishing, strategic collaborations represent a unique opportunity to unite common skills, visions and […]
Cisitalia
The Brand That Altered Porsche’s Destiny Forever. An intimate exploration of Cisitalia’s profound impact on the automotive world, crafted by two of the brand’s most renowned historians. Shedding light on […]
Lamborghini Diablo, a Story of Renaissance
A tale of genius and passion, on both sides of the ocean, starring personalities of the calibre of Marcello Gandini and Lee Iacocca: the heir of the Countach was not […]
Maichol Clemente: “This is how I discovered an unpublished Bernini.”
It is a “Saint Sebastian,” an early work commissioned in 1618 by Cardinal Pietro Aldobrandini. Probably, through complex hereditary ways, it passed from Rome to a small French church near […]
Darte Publisher Present at BIAF 2024
Darte Publishing House will be a protagonist at the Florence Biennale Internazionale dell’Antiquariato (BIAF), which will be held from September 28 to October 6, 2024 in the charming Palazzo Corsini. […]
Cecco Bravo, melancholic and dreamer
Two dense volumes by Francesca Baldassari reconstruct the corpus of works by the seventeenth-century Florentine painter and draftsman
Interview with George Tatge
On the occasion of the opening of two exhibitions of the great photographer“ Enigmas – Timeless landscapes ” and “ The eyes of the city – Portraits of yesterday and […]
The monograph Niccolò Tornioli
The monograph Niccolò Tornioli a painter between Caravaggism and Baroque, published by Tau Editrice Todi, illustrates the life and career of a Sienese artist who was active, during the first half of the seventeenth century, mainly in the papal city.
The Veronese school of painting
The unpublished manuscript The Veronese School of Painting is preserved at the Marquand Library of Art and Archeology of Princeton University, written by Jean Paul Richter in close dialogue with his mentor Giovanni Morelli between 1884 and 1885 and left unfinished.